TOPSIDE CAMERA EQUIPMENT

Alongside his underwater work, Woody runs a full topside documentary kit built for natural history and broadcast production, from cinema cameras and glass through to audio, lighting, and grip.

The kit is built to move fast in the field, covering everything from wildlife long-lens work to interview setups and aerial coverage

CAMERAS AND MONITOR KITS

Red V-Raptor Rhino S35

Canon C400

Canon C80

OSee 7 inch field monitor

Associated media, batteries and sync cables

CANON C400 PACKAGE

Canon C400

Lens kit: RF 15-35mm F2.8 , RF 24-105mm F2.8, EF 70-200mm F2.8

Shoulder Rig, Tripod

Audio: Sennheiser MK 600, Deity Theos Lav set with TC-1 timecode boxes

LENSES

Canon RF 15-35mm F2.8*

Canon RF 28-70mm F2.0*

Canon RF 100mm Macro F2.8*

Canon RF 24-105mm F2.8

Canon RF F1.4 primes 24mm, 35mm, 50mm

Nikon Nikkor 70-180mm Macro F4.5/5.6*

Canon EFS 18-55mm F3.5-5.6*

Canon EF 28-70mm F3.5-4.5ii*

Canon EF 28-70mm F2.8*

Sigma 18-35mm F1.8 Art*

* Underwater zoom and focus gears attached for use underwater

MISC

Canon RF - EF with ND Filter Holder*

Tilta 3 Stage Matte Box with flag

Lindsey Optics 4 x 5.65 Polariser

Tiffen 0.3, 0.6, 0.9, 1.2 - 4 x 5.65 neutral density filters

DRONE

DJI Mavic 3 Cine with polarised ND set and 3 x batteries

DJI Smart Controller

AUDIO

Sound Devices Mix Pre 3 

Deity TC-1 Timecode Kit

Deity Theos wireless mic kit

Sennheiser mk 600 - with xlr cables/or Rode TX-XLR

TOPSIDE LIGHTING AND GRIP

Nanlite 500x

Nanlite 300x

Nanlite 120c

2 x Nanlite 60x

2 x Nanlite Pavotube 30c

2 x Nanlite Pavotube 6c

60, 90 and 160cm softboxes

Manfrotto 1.8 x 1.8 Scrim Kit. 

Miller 30x tripod

DJI RS4 Gimbal with Advanced Ring

Kondor Blue V Raptor/Komodo Shoulder Rig

Various C-stands & arms to suit